#MAGIX SUPPORT FULL#
That makes quick work of, say, lining up an album full of separate tracks for mastering. That means not just fades and gain changes, but all kinds of non-destructive plug-in processing within the object. What's different about objects is that you can perform operations on them that you would normally associate with the editing and mix process. Within a project, an object is just Magix's name for a piece of audio, be it a region, an imported sample, or a loop. Each song you work on in Samplitude is stored in a Virtual Project file (VIP). The key to understanding Samplitude and what makes it different from competing DAWs is the object editor. The mixer appears in a separate window (more on that later). The main UI looks a lot like what you'd expect to find, including well-delineated tracks with graphic representations of audio waveforms, a large transport area, and an inset area where you can bring up additional editing views.
#MAGIX SUPPORT PRO#
Pro X has remedied some long-running omissions like time stretching and automation lanes and is full-on competitive today. Samplitude supports 999 tracks, 256 physical inputs and outputs, and 32-bit recording at up to 384kHz. Samplitude's maturity is finally reflected in the core feature set. This may have had something to do with the fact that I'm in New Jersey and the company is in Germany. Just keep an eye on it and don't expect to get started with the actual program for at least several hours.
Sometimes this will be interrupted, such as for the InstallShield dialogs for Melodyne 4.
#MAGIX SUPPORT DOWNLOAD#
Once you begin the install, you'll be subject to a lengthy download process for all of the additional sounds. Pro X4 now supports CPUs with up to 32 cores, so this kind of power shouldn't go to waste (and more on that later).
#MAGIX SUPPORT PC#
Samplitude comes in three versions: Pro X ($399), which includes 17 virtual instruments and all of the program's main features Pro X Suite ($599), which adds a complete copy of the excellent Sound Forge Pro 11 audio editor, DDP master support, five additional VSTs, the full 70GB soundset for the Independence instrument, and a cleaning and restoration suite and Pro X365 ($12.49 per month to $14.99 per month), a subscription-based version that includes all of the above plus SpectraLayers Pro 5, a visual audio editor that offers comprehensive spectral analysis.įor this review, I tested Samplitude Pro X4 on a custom-built, high-end Core i7-6900K PC with eight physical cores, a Gigabyte GA-X99-Ultra Gaming motherboard, 16GB DDR4 RAM, and a 1TB Intel NVMe SSD. Still, Samplitude is a veteran in the space. Maybe that's slightly newer than Digital Performer, Cubase, Pro Tools, and Logic (or at least for Logic's Notator roots on the Atari ST), all of which date to the 1980s. It began life in 1992 on the Commodore Amiga the first Windows version appeared in 1995. Setup and InstallationĬontrary to what some articles around the web say, Samplitude is not new nor even relatively so. More so than competing programs like the Editors' Choice Pro Tools and Logic Pro X, and to its credit, Samplitude resembles a digital recording and mastering studio. The long-running, PC-only Samplitude, now in its Pro X4 ($599 as tested) incarnation, soldiers on as the company's excellent mid-priced digital audio workstation (DAW). Berlin-based Magix is one of the lone holdouts. I thought it would be a cold day in hell before Digital Performer made it to the PC and FL Studio made it to the Mac, yet both these things have happened. Most audio editing programs these days have gone cross-platform.
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